ART

J. Brough Miller

A-2 – A-10 Sculptures, 1987-1989

Iron with natural oxidized finish, various dimensions // approx. 8′-28′

10 large steel public art sculptures selected for indoor and outdoor placement at the Kilroy Airport Center, Long Beach Airport. Known for taking the rigidity of metal and creating the illusion of movement and evolution in his metal sculptures. (1933-2010) Michigan born Sculptor John Brough Miller received his Masters of Fine Arts in 1964 from the Cranbrook Academy of Art and moved to Texas in 1964. He spent nearly 30 years as a Professor of Ceramics and Sculpture at Texas Woman’s University. He is known for his steel sculptures he created outside his garage in Argyle, TX. Commissioned works include those at Valley House Gallery in Dallas, Dallas Public Library, Abilene Fine Arts Museum, Amarillo Art Center, Los Angeles International Airport and elsewhere.

Lita Albuquerque

Fluidity II, 1989

Diptych painting on canvas, 7’2″ x 16’8″

Light and Space artist, painter and sculptor, Lita Albuquerque, has been investigating our place in the universe through installations, environmental works, paintings, and sculpture throughout her critically acclaimed career. She has developed a visual language that develops time and space to a human scale and is acclaimed for her ephemeral and permanent art works executed in the landscape and public sites. Albuqueruqe’s work questions our place in the enormity of infinite space and eternal time.

Lita Albuquerque

Fluidity I, 1989

Blue painting on canvas with gold leaf disk, 7’2″ x 16’8″

Light and Space artist, painter and sculptor, Lita Albuquerque, has been investigating our place in the universe through installations, environmental works, paintings, and sculpture throughout her critically acclaimed career. She has developed a visual language that develops time and space to a human scale and is acclaimed for her ephemeral and permanent art works executed in the landscape and public sites. Albuqueruqe’s work questions our place in the enormity of infinite space and eternal time.

Donald Sultan

Big Poppies (White), 2013

Silkscreen print, 39″ x 39″

Donald Sultan’s large-scale still life paintings are filled with rich iconography—provocative objects, like bulbous fruits, set against a tar-black background. Although primarily classified as a still lifes, Sultan maintains that his works (despite their representational objects—flowers, lemons, eggs, buttons) are first and foremost abstract. He is recognized as a painter, printmaker, and sculptor, and best known for his large compositions made following a unique technique: in place of canvas, Sultan covers masonite with 12-inch vinyl floor tiles, from which he cuts geometric and organic forms. Sultan fills the negative spaces with tar or plaster, followed by a layer of paint; his resulting images are distinctively textured and equally balance the contrast of positive and negative space.

Untitled (1809)

Untitled (1709)

Ned Evans

Untitled, 2010

Work on paper, 22.5″ x 30″

“I went to high school in the San Fernando Valley, then to the University of California at Irvine. I received a BA. in 1972 and MFA in 1974. During college I worked at the University’s Art Gallery, the Newport Harbor Art Museum and various commercial galleries. After graduation I moved to Venice, California where I live and work today. Rather than teach, I supported my art by doing the following.1974-95. Studio assistant to various prominent California artists in Venice including: Billy Al Bengston, Ed Moses, Ed Ruscha.”

Felicity Nove

Nova, 2010

Acrylic on canvas, 72″ x 60″

Coming from a family of environmentalists, Nove investigates the various interconnected relationships in nature and the underlying disturbances that displace it. 10% of sales from the show benefit Project Save our Surf Foundation. “My family is deeply involved in the sustainable energy movement in Australia, “Nove says. “The question that I’m posing with these paintings is how to live consciously with n our environment, especially as we are continually bombarded with stimuli. These new fluid paintings spill over, disrupt and collide in much the same way as our contemporary life experience.”

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